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Directory of the EWU Music Faculty and Staff
Dr. Janet Satre Ahrend began her organ studies in Spokane with Barbara Top Rockwood. She holds the Bachelor of Music Degree from the University of Idaho and the Master of Music and Doctor of Musical Arts Degrees from the University of Washington, with further training at the Royal School of Church Music in England.
She has been a member of the music faculty at Gonzaga University since 1984, teaching organ, class piano, and portions of the music theory program, and on the faculty at Eastern Washington University since 2008.
From 1990 to 1993 Janet served on the Hymnal Committee for the United Church of Christ, helping to produce the New Century Hymnal. She has been Organist / Choirmaster for the Cathedral since 1997, where she also directs a handbell choir and coordinates the afternoon concert series, Mostly Second Sundays. Janet maintains a private piano and organ studio in her home.
Janet's professional affiliations include: American Guild of Organists, Regional Education Coordinator; Association of Anglican Musicians; Royal School of Church Music; Music Teachers National Association; and Sigma Alpha Iota Music Honorary Alumni.
Music Specialist, Riverside School District. EWU and Whitworth
University faculty. General Music Curriculum Chair, WMEA. usic Education, ME, Whitworth College
Bruce Bodden grew up in Seattle where he began studying the flute in the public school system at the age of nine. Two years later he began studying with Dorothy Bjarnason, his only teacher until he left home to study at the Eastman School of Music in Rochester, New York, where he studied with Bonita Boyd. This was followed by graduate study at Boston University with Leone Buyse.
Bruce has been principal flutist of the Spokane Symphony since 1990 and has appeared as soloist with the Symphony on several occasions, and has performed often on local chamber music series. He spends his summers in Iowa as principal flutist of the Des Moines Metro Opera Orchestra, and joined the music faculty of Eastern Washington University in the fall of 2004.
BA Music, Western WA University; MIT, WWU; MA (Jazz Pedagogy) EWU
As an active performer and teacher in both classical and jazz idioms, Luke performs with the Spokane Jazz Orchestra and Bob Curnow Big Band. He has been a clinician for the EWU Jazz Dialogue Festival, EWU Band Invitational, and EWU Jazz Dialogue Summer Camps.
A Chicago native, Phil Doyle began his music career at the University of Miami as a scholarship student. Studying under both Professor Gary Keller and Professor Whit Sidener, Phil performed as a featured tenor saxophone soloist in the renowned UM Concert Jazz Band. During his time at UM, Phil performed with numerous artists such as Dave Liebman, James Moody, Vince Mendoza, John Fedchock, Jim McNeely and participated in the Grammy-Nominated UM album "Romances" with Maria Schneider.
As a professional national and international touring musician, Phil has appeared on the NBC Today Show, the Ellen Degeneres Show, PBS and others and has performed at venues across Italy, Australia, the Cayman Islands, Amsterdam, Canada, Hawaii, Kauai, as well as most of the continental United States. Phil completed his Bachelors Degree and his Masters Degree at the University of Illinois under Professor Chip McNeill in 2011.
He has been an active freelance artist in the Chicago land area for many years participating in various recording projects and appearing at venues and festivals all across the city. Most recently he can be heard on an Origin Record Label release "Opening Statement" alongside Chicago trumpeter Tito Carrillo. He has also performed and composed music for independ- ent film and commercial music projects.
Phil is thrilled to bring his experience and enthusiasm to the department. He is also looking forward to participating in the expansion and continued success of the jazz program at Eastern Washington University.wa
Jane Ellsworth is Associate Professor of Music at Eastern Washington University, where she teaches music history. Both a musicologist and a clarinetist, her scholarly and performing activities explore the intersection of various disciplines.
Dr. Ellsworth earned a PhD in musicology in 2004 from The Ohio State University, and also holds Bachelors and Masters degrees in clarinet performance from the Cleveland Institute of Music and a DMA from Ohio State.
Her recent research has been mainly in early American music; she has published on the history of the clarinet in early America, and is working on projects related to the status and livelihood of early American instrumentalists. Other areas of interest include English music of the nineteenth century, performance practice, the history of performance, and organology.
She is active with the International Clarinet Association, contributing regularly to its journal, and has also published in the Journal of the American Musical Instrument Society and elsewhere. She has performed and lectured on the clarinet throughout the United States and in Europe, South America and Asia, on both modern and historical instruments.
Dr. Ellsworth participates annually as a performer and faculty member at the Classical Music Festival in Eisenstadt, Austria. She also plays with the Spokane Symphony Orchestra. She currently serves as Treasurer of the Haydn Society of North America, and as Chair of the ICA Research Competition.
Kendall Feeney is a member of the piano faculty
at Eastern Washington University and director of the EWU Contemporary Music Ensemble. She has performed as soloist and chamber musician throughout the United States and Asia and been featured on National Public Radio's "Performance Today." A native of California, Ms. Feeney studied with John Perry at the University of Southern California where she received her bachelor's and master's degrees in piano performance, winning both the Undergraduate and Graduate Keyboard Awards.
From 1991 to 2003, Feeney was Artistic Director of the critically acclaimed Northwest concert series ZEPHYR: A New Design for Classical Music. She is a frequent guest artist at Chamber Music San Juans and the Bellingham Music Festival and is on the faculty of the Golandsky Institute at Princeton. She has served on the chamber music staff of the New College Festival in Sarasota, Florida and the Round Top Festival Institute in Texas.
Ms. Feeney is nationally recognized as a leading pedagogue of the Taubman approach to piano playing and is well known for her work with injured musicians. She regularly coaches with New York Taubman specialist, Edna Golandsky. Ms. Feeney maintains private studios in Seattle, Spokane and Portland and is a sought after adjudicator and lecturer. In addition to her performing and teaching, she is a regular contributor to Clavier Magazine. She was awarded the 1997 Individual Artist of the Year by the Spokane Arts Commission and is included in Who's Who in America and Who's Who in American Women.
Dr. Lynne Feller-Marshall is principal bassoonist with the Spokane Symphony, and teaches bassoon at Eastern Washington University and Whitworth College. She also performs a variety of music with other Spokane musical groups such as Zephyr, Allegro, the Northwest Bach Festival, and the Spokane Opera.
While attending The Juilliard School in New York City, Feller-Marshall was a freelance orchestral player with several metropolitan-area groups. From 1991 until 1995, she was bassoonist with The Devienne Trio, a New York-based group that was selected for a year-long residency with the National Endowment for the Arts.
She has participated in the Tanglewood, Banff and Recontres Musicales d' Evian (France) festivals during the past several years. Her degrees include a BM in Music Education (1989), SUNY Potsdam; Master of Music (1991) and Doctor of Musical Arts (1997), The Juilliard School. Her primary teachers were Stephen Maxym, Frank Morelli, and Frank Wangler.
Dr. Feller-Marshall and her husband have a son and a daughter. Lynne's extra-musical interests include horseback riding, cooking, and travelling with her family.
Erin Foster is the first year music theory and ear training instructor at Eastern Washington University and teaches bassoon lessons and Woodwind Methods at Gonzaga University. She is the developer and teacher of the Online Music in the Humanities course at EWU. Ms. Foster is an "Eastern Washington University Honor Faculty Member" award recipient for outstanding teaching.
Ms. Foster performs with many groups in the greater Spokane area including the Spokane Symphony Orchestra, Coeur d'Alene Summer Theater, Spokane Opera and Coeur d'Alene Opera Orchestras. She was a long-standing member of the Westwind Woodwind Quintet- -an educational ensemble of the Spokane Symphony--and Mosaic Winds.
In the music education arena, Ms. Foster coaches the winds and brass for the Spokane Youth Orchestra's Junior Symphony Orchestras. She adjudicates for many area and state solo/ ensemble and large group festivals and coaches woodwinds for schools throughout the great Spokane region as well as teaching private bassoon lessons.
Before moving to Eastern Washington, Ms. Foster played with the Reno Philharmonic Orchestra in Reno, Nevada, Reno Opera Orchestra, Reno Salon Orchestra, Reno Wind Quintet, and freelanced with many other Nevada and California chamber groups and orchestras. She has a master's degree in bassoon performance.
Ms. Foster resides in Cheney with her husband, Bill Foster, band teacher at Cheney Middle School, and the bass trombonist with Spokane Jazz Orchestra and the Bob Curnow Big Band. They have two daughters.
Recently appointed Director of Orchestras at Eastern Washington University, Gómez Giraldo has served as Interim Director of Orchestras, Professor of Choral Activities and Director of Choral Music Education at the University of Northern Colorado. He has also been profes- sor of conducting at the Universidad Pedagógica Nacional in Bogotá, as well as choral and orchestral clinician for the National Choral-Orchestral Program of the Ministry of Culture of Colombia. Professor Gómez is active as a clinician, adjudicator, and guest conductor of honor orchestras and choirs throughout the United States, Costa Rica, Venezuela and Colombia. He is also active as a composer and arranger, with several of his instrumental and choral works published by Hal Leonard.
Under the guidance of Helmuth Rilling, he has participated as an active conductor during Bach Festivals in Santiago de Compostela, leading the Bachakademie Orchestra of Stuttgart and Gächinger Kantorei. He has also appeared with the Oregon Bach Festival Orchestra and with the Simón Bolivar Symphony Orchestra of Venezuela. He has conducted the National Opera and Zarzuela Companies in Colombia in such works as "Barbero de Sevilla", "La Leyenda del Beso" and "Marina", led the university premiere of "Little Women" by Mark Adamo and another production of " The Merry Wives of Windsor", and also appeared as Guest conductor of the Juan M. Corpas University Orchestra.
He also served as Music Director of the National Symphony Choir Santa Fe de Bogotá with which he was awarded First Prize in the Sixth International Polyphonic Competition"Ciudad de Ibagué." Under his leadership for over ten years, the choir performed representative master choral-symphonic works and operatic repertoire with the Colombian National Sym- phony and the Bogotá Philharmonic, including both the world and international premieres of numerous works such as the "Misa Tango" by Luis Bacalov, Berlioz's "Misa Solemnis", Honegger's "Jeanne D'Arc", Prokofiev's "Ivan the Terrible"and Blas Emilio Athehortua's "Cris- tóforo Colombo", among others. He received the Medal of"Honor al Mérito"in the category of Excellence and Outstanding Merit from the Colombian Institute of Culture.
Julián Gómez Giraldo began his studies of conducting and French Horn at the Conservatorio Nacional de Música, and the Escuela Superior de Música in his native Colombia. He also studied in the National Academy of Gregorian Chant in Venezuela with the Benedictine monks Luigi Agustoni and Johannes Berchmans, and in the Schola Guido D'Arezzo with the Benedictine monk Juan Ramón Uribe. He earned a Bachelor's degree in Music Educa- tion and Conducting from the National Pedagogic University of Bogotá, and also earned Master's degrees from Texas Christian University in Choral and Orchestral Conducting, and in Theory and Composition. Currently, he is working on his dissertation defense for a Doctor- ate in Orchestral Conducting with Music History emphasis from the University of Northern Colorado under the guidance of Russell Guyver, and Jonathan Bellman.
His teachers include renowned Colombian conductors Jaime Guillén, María Teresa Guillén, Jorge Zorro, and Maestros Helmuth Rilling, Russell Guyver and Germán Gutiérrez.
Don Goodwin is a recent graduate of Eastern Washington University, where he received his Master of Arts in Composition (2007). Before returning to Eastern to pursue his degree in 2005, Goodwin lived and worked in Seattle for eight years, where he taught music theory at The Art Institute of Seattle, and performed with several touring groups around the country. His band, BeeCraft, recorded several albums, and was featured at many of the Northwest's premiere venues and festivals. Most recently, Goodwin can be heard as a keyboardist and as a composer featured on four separate Flowmotion albums. With Flowmotion, Don played, among many other venues, Bumbershoot in Seattle, and shared the stage with many influential recording artists such as Widespread Panic, G-Love and Special Sauce, Bill Frisell, and Critters Buggin'.
Currently Godwin teaches music theory, counterpoint, composition, jazz small groups, and jazz piano. In addition, he serves as Jazz Band Director at Lewis and Clark High School, and is an adjunct professor at Gonzaga University, where he teaches advanced jazz piano.
In the professional community Don is a sought-after pianist, composer, and clinician. He leads his own jazz trio (The Don Goodwin Trio), as well as several funk/jazz/rock small groups, including Freefire, Jungle Circus, and WE B-3. In addition, Don is the pianist for The Bob Curnow Big Band, and plays in several area groups as a sideman.
As a composer, Don is constantly working on many commissions. His piece, "Parallels" was performed in October of 2007 by the Spokane Symphony Orchestra at their Symphony On The Edge concert series, under the direction of Morihiko Nakahara.
Jim Kershner of The Spokesman Review had this to say about Goodwin's piece:
"The entire evening would have been worth it merely for the world premiere of "Parallels," a jazzy, flashy juggernaut by Spokane composer, conductor and jazz pianist Don Goodwin. This piece, which closed the concert, was rich with bright washes of sound and flashes of brilliant complexity. Complexity was in plentiful supply at this concert, but Goodwin's piece managed to conjure up an entire jaunty world, like the soundtrack to a particularly wonderful movie cartoon."
Don has had several of his original big band charts published by Walrus Music Publishing.
ody Graves maintains an exciting, diverse and active performing career, and is recognized nationally as a distinguished artist and teacher of piano. Her recital engagements as a soloist and collaborative pianist take her across the United States and abroad. She has performed concerts in Austria, Norway, France, Scotland, Ireland, Germany, Japan, and in May 2006 toured in the Persian Gulf serving as a Cultural Ambassador for the U.S. State Department. The Middle East Tour, with the Sapphire Trio, included concerts in Bahrain, Qatar, Saudi Ara- bia and Kuwait. The press reviews have called their performances "exciting...imaginative and compelling." In April, 2010, she was a judge for the National Palestinian Piano Festival in Jerusalem, and following that event toured the West Bank region with the Sapphire Trio performing concerts and giving master classes. The Sapphire Trio returned to the Middle East for a concert tour and master classes in April, 2011, and will tour that region again in 2012.
Dr. Graves is in great demand as an adjudicator for piano competitions and festivals. Each season takes her across the country as an MTA clinician, and she has an active schedule each year as a workshop presenter for teachers. Ms. Graves has been a presenter at the National Conference on Keyboard Pedagogy, and has been a presenter and performer at numerous State and National MTNA conferences. Recently Ms. Graves was a presenter at the National MTNA Conference (Milwaukee) in 2011. She has served as a judge for the International Piano Competition at the Eastman School of Music in Rochester, New York, and also served on the faculty with Dr. Alexandra Ngyuen for the Eastman Summer Session titled 'Plays Well With Others', featuring sessions on collaborative arts performance. Additionally, Dr. Graves has authored articles for the American Music Teacher and Clavier magazines.
Ms. Graves completed her third recording project 'Whispers of Light' in 2007, featuring the music of Edward MacDowell, Rachmaninoff and others. She has performed solo and chamber recitals across the country at university guest artist series and community concert events, and has been a featured performing artist several times on public radio. In the 2011-12 season she will be a soloist with the Mid-Columbia Symphony and the Butte Symphony. Ms. Graves is the pianist with the nationally acclaimed Sapphire Trio. They have been featured guest artists at the National MTNA conference in Seattle, WA and the International Clarinet Festival in Tokyo, and were featured again in concert at the ICF in Los Angeles in 2011.
Ms. Graves is especially interested in promoting concert art music, creating unique and contemporary ways to foster a collaborative experience between artist and listener, and is dedicated to maintaining the life of music in our schools and culture. Ms. Graves is recog- nized for her creative ability to engage the audience during her concerts with anecdotes, historical perspectives and humor.
When asked to describe Danny Helseth as a musician, composers Joseph T. Spaniola and Brett Miller use the words such as "high energy...intensity...emotion-filled." Danny has never been known to go into anything half-way, but rather puts everything he has into what he does. This is very evident as he pursues his musical career on the euphonium and trombone.
Danny began his education with a Bachelor of Music Education from Central Washington University (1999); continued with a Masters in Music Performance (Euphonium) from The University of North Texas (2002); and a Post-graduate Diploma in Performance (euphonium) from the Royal Northern College of Music in Manchester, England where he studied on Fulbright Scholarship. Currently, Helseth is a candidate for the Doctorate of Musical Arts in Performance (Trombone) at the University of Washington, where he also holds the position of Graduate Teaching Assistant in trombone.
As a former member of the United States Air Force Band in Washington D.C., Danny was quickly recog- nized as an energetic and engaging soloist, featured several times with the band including on national tour, Spring 2004. Helseth performed as a chamber musician and clinician at universities throughout the United States as a member of the Tower Brass Quintet.
Searching for new music, and new avenues of musical expression, Danny has had the opportunity to debut several newly commissioned pieces including: • "Madrona" (2011) for euphonium, tuba, piano, and drum set by Jon Hansen; "Poso Oso" (2011) for euphonium, tuba, keyboard, and drum set by Elliot Gray; "Euphonium Concerto" (2010) for euphonium and band by Libby Larsen; "Infinite Morning" (2009) for euphonium and piano by Joel Puckett; "Concerto" (2007) for euphonium and orchestra by James Kazik; "6 Moods" (2006) for euphonium and piano by Brett Miller•; "Dream" (2004) for euphonium and string quartet by Joseph T. Spaniola. Helseth is in constant demand as a euphonium and trombone soloist, section player, and recording artist; having performed on euphonium with the Seattle Symphony, the Tacoma Symphony, Auburn Symphony, and as a founding member of the euphonium quartet Eufonix!; on trombone with the Saint James Cathedral Brass,and the Pacific Northwest Ballet. As a soloist, Helseth has appeared with ensembles around the country including: Pershing's Own United States Army Band, Brass Band Northwest; Spokane British Brass Band, the University of Oregon Symphonic Band, the University of Washington Symphonic Band, and on tour in Japan with the University of Washington Wind Ensemble. Danny is quickly establishing himself as a dynamic force in music education, presenting master classes and clinics to middle school and high school bands, music educators conferences (WMEA 2010), and as a faculty member at Lakeside Middle school and the annual summer music camp, Low Brass Boot Camp; infecting students with the desire to energetically give everything they have to that for which they are most passionate.
Throughout his life, Danny has been in contact with extraordinary musicians, many of whom have been his private instructors including: Larry Gookin, Tom Gause, and Dr. Russ Schultz at Central Washington University; Dr. Brian Bowman and Vern Kagarice at The University of North Texas; Steven Mead and James Gorlay at TheRoyal Northern College of Music; Patrick Sheridan and Sam Pilafian at The Institute fo Per- fromance Success; Ko-ichiro Yamamoto and Timothy Salzman at The University of Washington. Countless other musicians, colleagues and students have taught and inspired Danny's musical direction.
Danny. a Besson performing artist and clinician for Buffet Crampon USA, , performs exclusively on a Besson Prestige 2052 Euphonium and DH signature mouthpiece from Giddings and Webster Mouthpieces.
Ross Holcombe currently serves as the principal trombonist of the Spokane Symphony Orchestra. Outside of Spokane, Ross holds positions as associate principal/second trombonist of the Vermont. Symphony Orchestra and principal trombonist of the Plymouth and Neponset Valley Philharmonic. Orchestras in Massachusetts. Outside of his regular schedule, Ross makes frequent appearances with other orchestras such as the Rhode Island Philharmonic, Albany Symphony, Boston Philharmonic, Boston Landmarks Orchestra, New Bedford Symphony, Atlantic Symphony, and the New World Symphony.Highlights of his orchestral career have included performances conducted by Sir Simon Rattle, John Williams, Fabio Luisi, Rafael Frühbek de Burgos, Herbert Blomstedt, Michael Tilson Thomas, John Adams, and Hugh Wolff.
Outside of the orchestra, Ross has given recitals and other solo performances at the Florida State University and New England Conservatory and, as a younger musician, was heard as a soloist on NPR's radio show, From the Top. His chamber music performances have included collaborations with members of the Orpheus Chamber Orchestra and the Boston Symphony Orchestra, and have taken him to all corners of the United States in addition to several cities across Japan. Ross has been an artist in residence for the Virginia Arts Festival and has been featured as a guest performer at the Eastern Trombone Workshop as a member of the Frequency Band. Equally at home as an educator, Ross currently serves on the faculties of Eastern Washington and Gonzaga Universities as adjunct professor of trombone, and has also presented numerous masterclasses for universities and high schools across the United States in addition to his private teaching.
Ross Holcombe earned his Bachelor's of Music degree in Trombone Performance from the New England Conservatory of Music in Boston. His primary teachers have included Norman Bolter of the Boston Symphony Orchestra, John Drew of Florida State University, Grady McGrannahan of Drake University, Joseph Frye of the University of Tennessee at Martin, and Dale Moore of the Pershing's Own United States Army Band. Ross has also received fellowships to attend the Tanglewood Music Center, National Repertory Orchestra, Pacific Music Festival, and the National Orchestral Institute.
Kristin Joham teaches horn at Eastern Washington University and plays horn with Spokane Symphony. She also conducts sectionals at local schools and teaches privately in the area.
Ms. Joham received both her BM and Master of Music in horn performance from the University of Cincinnati- College Conservatory of Music. While living in the Midwest, she subbed with many regional orchestras including the Dayton Philharmonic, the Columbus, Indiana Philharmonic, and the Terra Haute Symphony Orchestra.
Her primary teachers have been Randy Gardner, Michelle Baker, Duane Dugger, and Michael Hoeltzel.
John Marshall is the professor of cello and chamber music at Eastern Washington University. He also teaches string techniques, computers in the music classroom, and sight-singing classes. Marshall holds performance degrees from three of the most prestigious music schools in the country: a BM from Indiana University, an MM from Yale University, and a DM from Northwestern University. At these schools he studied with some of the most distinguished cellists in the world: Janos Starker, Aldo Parisot and Hans Jensen. Marshall strives to combine the varying strengths of these three pedagogues into his own teaching methods. His doctoral dissertation focused on compositions for two cellos and orchestra.
In addition to his duties at EWU, Marshall performs over 60 concerts a year as principal cellist with the Spokane Symphony Orchestra. Marshall is also a frequent performer with several arts organizations in the Inland Northwest, including Zephyr, the Spokane Chamber Music Association, Connoisseur Concerts, and the Sandpoint Festival. While he was a member of the Spokane String Quartet, Marshall performed throughout the Northwest, and made two tours of Europe and one tour to Taiwan.
In 2001, Marshall initiated the CELLObration Spokane festival. Now an annual event at EWU, CELLObration brings together over 50 student and professional cellists from all over the Northwest for a day of learning and performing music for cello ensemble. Clips of CELLObration may be found on YouTube.
During the summers, Marshall serves on the faculty of the famous Interlochen Arts Camp, teaching cello and chamber music.
"SOAK" CD - http://www.cdbaby.com/cd/paradoxsoak
"MiX-5" CD - http://www.cdbaby.com/cd/paradox8
Interlochen Arts Camp Cello Ensemble Videos
"One" Cello and Dancers - http://www.youtube.com/watch?v=DoVbmA8pAUo
"Purple Haze" - http://www.youtube.com/watch?v=M4M93HixgxE
"Kashmir" - http://www.youtube.com/watch?v=woTzv3dVa9A
EWU CELLObration Videos
"Bartok Duos" with Joshua Roman - http://www.youtube.com/watch?v=GcawKaQmo0A
"Walk, Don't Run" - http://www.youtube.com/watch?v=BK6XD19kM04
Dr. Jonathan Middleton is Professor of Theory and Composition at Eastern Washington University. He teaches undergraduate and graduate courses in composition, theory, orchestration, and music informatics.
Dr. Middleton obtained his Doctor of Musical Arts in 1999 from Columbia University where he was an Andrew W. Mellon Fellow at the School of the Arts. He has studied composition with numerous professors including Fred Lerdahl, Jonathan Kramer, Emma Lou Diemer, William K raft, Frederic Rzewski, Ann Kearns, Daniel Warner, Peter Golub and Pulitzer Prize winners Roger Reynolds and Lewis Spratlan. He also studied twentieth century compositional techniques with Kyle Gann and Tristan Murail.
Dr. Middleton's creative interests include spontaneous approaches to composition through stream of consciousness and algorithmic composition. The foundation of his work is created from the"musicalgorithms"software he designed in 2004. The application (available on the Web at http://musicalgorithms.ewu.edu/ and musicalgorithms.org) provides a creative environment where composers can create music from DNA and numbers. As a mid-career composer, he has created many pieces, from orchestral to electronic. In recent years he has received numerous commissions with performances and recordings from the Czech Philharmonic, Kiev Philharmonic, Millennium Symphony, Spokane Symphony, Coeur d'Alene Symphony, Paradox, MoPho, and Music Northwest. His music is featured on the cd's Soak, ERM Masterworks of the New Era vols. 11 and 17, and ERM Music of the Americas. In 2008, he published an article in the journal "Leonardo" (41/2 2008), which describes his creative process with"musicalgorithms" (the article is co-authored with professor Diane Dowd from Mathematics).
In addition to teaching, Dr. Middleton has served as a visiting scholar and composer at Stanford University's Center for Computer Research in Music and Acoustics (CCRMA). There he completed a new work for mobile phones with performances at Stanford, Belfast, Helsinki, Monterey and Berkeley.
Like many musicians, guitarist Michael Millham makes his living from a malleable combination of teaching and performing. Trained at the Lionel Hampton School of Music, University of Idaho (B.A., Guitar), he currently teaches classical guitar as an adjunct at both Gonzaga University and Eastern Washington University.
With his wife, vocalist Keleren Millham, Michael also enjoys a musical partnership performing original, 21st- century art songs for voice and guitar that regularly takes him to West Coast venues ranging from wine bars and house concerts to radio shows, theaters, universi- ties and festivals.
Michael is either an endorser or performing artist for Elixir strings, Schoenberg Guitars, L.R. Baggs electron- ics and AER amps. A student of amplifying the acous- tic guitar, he enjoys beta testing and reviewing new acoustic guitar pickup and amplifier designs.
Michael has both contributed to, and been profiled in, the magazine, "Acoustic Guitar", and has also written articles for "Guitar Teacher" and "Play Guitar!" maga- zines. In 1999, he was one of eight recipients selected for Jim Beam Brand Worldwide's Benefiting Emerging Artists in Music grant.
You can hear more of Michael and Keleren at www. guitarandvoice.com.
Steven Mortier, an American lyric baritone, is noted for his warmth of singing combined with bold dramatic interpretations and solid musicianship.
In 2002, Mr. Mortier displayed his versatile talents by meeting the demands of a wide variety of genres. He performed Haydn's Mass in Time of War with the Oregon East Symphony, the Count in Le Nozze di Figaro with Rainier Lyric Opera, Don Quixote in The Man of La Mancha with Spokane Opera, a return to the Lake Charles Symphony for the King in The King and I and in Spokane he was heard in the March Messiah with the Spokane Symphony. Last season Mr. Mortier was heard singing for Gonzaga's 100th Year Bing Crosby Birthday Bash: A Cole Porter Celebration with the Mid-Columbia Symphony, the role of Brander in The Damnation of Faust with the Spokane Symphony and a return to Spokane Opera for the role of Leporello in their production of Don Giovanni. Other recent engagements include the title role of Rigoletto with the Lake Charles Symphony, Leporello in Don Giovanni with Tacoma Opera, a return to Mississippi Opera to perform Masetto in Don Giovanni and a Holiday Pops Concert featuring Bing Crosby tunes and The Reluctant Dragon with the Spokane Symphony.
Mr. Mortier made his debut at Carnegie Hall in 1996 with the New England Symphonic Ensemble in Haydn's The Creation and at Lincoln Center with The National Chorale in The Messiah. Mr. Mortier then performed the role of the Traveler in Spoleto Festival USA's production of Curlew River, with Pittsburgh Opera in L'Elisir d'Amore as Dulca- mara, with Lake Charles Symphony in their fully staged production of Oklahoma as Curley, with Mississippi Opera as Figaro in Le Nozze di Figaro and with Spokane Opera as the Count in Le Nozze di Figaro. He has also had staring roles with Tacoma Opera, Southern Utah University, and Tri-Cities Opera as well as Opera Grand Rapids.
With such companies as Chautauqua Opera, Birmingham Opera, Opera Pacific and the Vallejo Symphony, he has sung leading roles in Don Giovanni, Madama Butterfly, Falstaff, The Bartered Bride, and The Tenderland, as well as a special production of Weill's Mahagonny led by Kent Nagano. Mr. Mortier is currently on the voice faculty at Eastern Washington University and has a private voice studio in Spokane.
Karen Noble is Professor of Music and Humanities at EWU. Her teach- ing responsibilities include vocal pedagogy, diction, and Music in the Humanities. She holds the BA degree summa cum laude in Vocal Performance from San Diego State University, and has done gradu- ate coursework in Music Education at UCLA, where she received the Sinatra Performance Award. She is an alumna of the Music Academy of the West, and holds the MM degree in Vocal Performance and the DMA degree in Opera Stage Direction from the University of Washing- ton, as well as the JD summa cum laude from Gonzaga Law School. She has studied voice with Martial Singher, Leon Lishner and Mary Curtis-Verna; her acting mentors have included former Broadway director Jack Sydow and opera director Boris Goldovsky.
Dr. Noble began performing as featured vocal soloist in the San Diego Old Globe Theatre Shakespeare Festival. A regional winner of the San Francisco Opera Auditions, she has gone on to perform dozens of roles in operas, plays and musicals, as well as being an active recitalist, opera stage director and vocal adjudicator. She has been described as an exciting singing actress of"exceptional dramatic intensity, musicality and intelligence."
In Eastern Washington, Dr. Noble has appeared as soprano soloist in the Messiah with the Spokane Chamber Orchestra and in several roles with Spokane Civic Theatre, including Aldonza in Man of La Mancha and Nettie in Carousel. Recently she portrayed the Mother Abbess (Sound of Music), Yente (Fiddler on the Roof), and Lady Bracknell (Importance of Being Earnest) in Coeur d'Alene; Frau Stube in Tacoma Opera's Pied Piper of Hamelin; Mama McCourt in Spokane Opera's Ballad of Baby Doe; the Old Prioress in Poulenc's Dialogues of the Carmelites with The Other Company; and the Wicked Witch in Wizard of Oz with Spokane Children's Theatre. Among her comic favorites have been Rosalinda (Die Fledermaus), Lady Billows (Albert Herring), and Katisha (Mikado). Most recently she played Madame Armfeldt in EWU's production of Sondheim's "A Little Night Music."
When not involved in music or theatre, she spends time visiting Seattle, the Washington and Oregon coasts, and enjoying her home on the beautiful Spokane River and in Waldport, Oregon.
Andy Plamondon completed a bachelor's degree in Music Education at Boise State University in 1984. He attended graduate studies at Indiana University from 1984-86 where he was a student of William Adam. Other teachers include Galindo Rodriguez, Armando Ghittalla, and John McNeil. Andy has been an active clinician, adjudicator and performer since moving to Spokane in 1987. He is a member and featured soloist with ensembles such as the Spokane Symphony, Spokane Jazz Orchestra, Bob Curnow Big Band, Clarion, Desifinado and Kind of Blue. He writes and arranges music for many ensembles and is the founder of the versatile consortium of musicians called "Of a Mind." These multi-instrumentalists perform highly improvisational works in contemporary settings.
Plamondon teaches trumpet, directs the Repertory Jazz Ensemble, and coaches small ensembles such as Brass Quintets, Trumpet Ensemble, and Jazz Combos at Eastern Washington University. He also performs regularly with the EWU Faculty Brass Quintet.
Mr. Plamondon also teaches applied trumpet at both Whitman and Walla Walla Colleges. He has recorded nationally released commer- cials and jingles, and appeared on recently released recordings by Clarion, Desifinado, and Casey MacGill and the Spirits of Rhythm. He teaches and adjudicates at many Northwest area Music Festivals including EWU's Jazz Dialogue and the Spokane Youth Symphony summer camps.
Mr. Plamondon has performed with many of the world's most well known and respected jazz, country, rock, pop, folk, and classical artists. Other ensembles and festivals Andy has been associated with are: Fes- tivals - CBC Jazz Festival, CSI Jazz Festival, Jazz Northwest, Sun Valley Summer Festival Orchestra.Groups - Boise Philharmonic, Cathedral Brass, Brass Works, Russ Morgan, Jimmy Dorsey Orchestra, Guy Lom- bardo Band, Allegro, Zephyr, and the Dennis Carey Orchestra.
Kim Plewniak is originally from Buffalo, NY. She received her Professional Studies and Master of Music degrees in Orchestral Performance from the Manhattan School of Music. While in Manhattan, she studied both with New York Philharmonic Bassist, Orin O'Brien, and associate principal bass from the Metropolitan Opera, Timothy Cobb. Her Bachelor of Music degree is from the Eastman School of Music where she tutored under double bass soloist, James VanDemark.
Before living in Spokane, Ms. Plewniak performed professionally with the Rochester Philharmonic Orchestra (NY), the Virginia Symphony (VA), the Lancaster Festival Orchestra (OH), and was principal bass of the Billings Symphony (MT). Her orchestral experiences have let her work under such distinguished conductors as Kurt Masur, Roger Norrington, Eji Oue and Jerzy Semkov. She has participated in summer festivals at the Pacific Music Festival (Japan), the National Orchestral Institute (MD), and played in the Heidelburg-Schlossfestspeile Opera Orchestra in Germany.
At the present time, she maintains a large private bass studio and is an adjunct professor at both Eastern Washington University and Gonzaga University. During the summer, she teaches at the Red Lodge Music Festival in Montana. Ms. Plewniak is currently the assistant principal bass of the Spokane Symphony.
Kristina Ploeger has been a part of the Spokane Arts Community for eleven years. She is currently a full-time Assistant Professor at Eastern Washington University serving as the Music Education Coordinator, the Director of Vocal Jazz (I & II) and Concert Choir, and the sabbatical replacement for the Director of Choral Activities, Dr. Randel Wagner. Kristina is also the Artistic Director for the Spokane Area Children's Chorus. As SACC's Artistic Director, her responsibilities include overseeing all music staff, choosing repertoire and performance venues and taking the Ensemble Choir on tour each summer. She conducts Concert Ensemble and Ensemble Choirs, and serves as the Theory Instructor at Saturday Academy. Previously in Spokane, Kristina taught Choral Methods at Gonzaga University and observed student teachers for Whitworth College as well as teaching Middle School Choir at St. George's School and High School Choir at West Valley High School in the Spokane Valley. Before moving to the Spokane area, she taught at Everett High School, Ephrata High School, and AC Davis High School.
Kristina Master's Degree is in Choral Conducting. For her Bachelor's Degree, she studied with Dr. Geoffery Boers and Dr. Patricia Bourne, earning a Music Education degree. A member of ACDA, MENC and WMEA, she is currently the jazz repertoire and standards chair for the Washington State ACDA Board. Kristina has presented numerous times for the state and all- northwest MENC/WMEA conventions as well as the 2004, 2007 and 2009 WA-ACDA Summer Institutes, as well as directing the . She is also proud to have co-founded the EWU Jazz Dialogue Summer Camp with her husband, Rob Tapper, which began in 2001 and continues having grown from HS only to two weeks including MS and HS.
A sought after clinician for many jazz and choral festivals, Kristina enjoys being a part of the vibrant northwest choral community. Directing Honor Choirs in the Tri-cities; Spokane area; Boise, Idaho; the Oregon All-State Children's Choir 2005; and the WMEA All-State Jr High Choir 2009, has given her the chance to work with a wonderful array of choristers and directors. Kristina has performed jazz residencies at Amherst College, University of Massachusetts Amherst, and Smith College. In 2005, Kristina PloegerandRobTapperwereawardedthe"ArtsinEducationAward"bythe Spokane Arts Commission of the City of Spokane. In 2009 she was awarded Spokane's "YWCA Woman of Achievement in Arts and Culture Award." In 2010 the Spokane Area Children's Chorus, directed by Kristina, won the "Arts Organization Award" from the Spokane Arts Commission.
Kristina remains thankful for all of the opportunities she has been given by so many supportive and encouraging people. She and her husband, Rob Tapper, feel lucky to be music educators and to learn so much every day from those around them.
Areas of Instruction: Electro-Acoustic Composition, Microtonal/Non-Western Tuning Systems, Experimental Instrument Design (Soundspaces). Co-Founder of Aphonia Recordings LLC
Julia Salerno serves as Professor of Violin and Viola at Eastern Washington University. Her accomplishments include winning first prize and the festival medal in the 2000 Seattle Young Artists Music Festival; national finalist for the String division of the 2001 MTNA collegiate competition; and being the String division Young Artist Winner of Musicfest Northwest in 2004. Salerno has also served as concertmaster of many orchestras, including three years at the University of Michigan. During their 2004 season, the UM orchestra made the GRAMMY Award winning recording of William Bolcom's Songs of Innocence and Songs of Experience, conducted by Leonard Slatkin. Julia was concertmaster and a violin soloist in that recording.
Ms. Salerno has been featured as a soloist with several orchestras, including the Walla Walla University Orchestra, Andrews University Orchestra, Northwest Philharmonia, Spokane Symphony, Ann Arbor Symphony, Southern Adventist University Symphony and, on three occasions, the Walla Walla Symphony. Julia also appeared with the Czech Philharmonic Chamber Orchestra in Prague and presented a recital for their International Diplomat Series.
While in Los Angeles, Julia enjoyed many other aspects of being a musician, including a small appearance in the 2009 movie The Soloist, the 2009 Academy Awards Governors Ball Orchestra, a PBS Documentary honoring Ella Fitzgerald, and performances with musicians like Stevie Wonder and Natalie Cole. She also participated in chamber performances with principal musicians from the Los Angeles Philharmonic and performed in the popular Classical Underground chamber music series with her USC piano trio.
Julia started her musical training at age two. Her teachers have included Kathleen Spring, Margaret Pressley, Stephen Shipps, Lyndon Johnston-Taylor, and Martin Chalifour. Julia has been a scholarship student at several summer festivals including theEncore School for Strings, Indiana University Summer String Academy, and four years at the Meadowmount School of Music. Julia also enjoys teaching a wide range of students. During her years in Los Angeles, she taught privately as well as for theSouth Pasadena Strings Program and enjoyed seeing many of her students perform with their award-winning orchestra in CarnegieHall, on a PBS documentary, and in the 2010 Rose Bowl Parade.msuci
Julia graduated with a DMA in Violin Performance from the University of Southern California in May 2010. She was awarded major scholarships for music study at the University of Michigan and University of Southern California, where she received her B.M. and M.M., respectively, in violin performance summa cum laude.
Julia is thrilled to be living in the Northwest again with her husband, Tres, and their two cats. She is eager to meet and work with prospective students and would be pleased receive an email or call from anyone interested in violin/viola studies at Eatern Washington University.
Bethany Schoeff received her Bachelor of Music Degree in Oboe Performance from The Lynn Conservatory of Music, formerly The Harid Conservatory, in 2001, where she studied with former Principal Oboe of the Florida Philharmonic, John Dee. She also received her Master of Music Degree in Oboe Performance & Minor of Music in Baroque Oboe Performance from Indiana University's Jacobs School of Music in 2008, where she studied with former Metropolitan Opera & St. Paul Chamber Orchestra Oboist Linda Strommen and Baroque Oboe Soloist Washington McClain.
Bethany was Principal Oboist of the Veracruz Philharmonic in Xalapa, Veracruz, Mexico, from 2001 to 2005 and during that time was also Professor of Oboe at the Superior Institute of Music. She has appeared as a Soloist with the Veracruz Philharmonic, The Florida Philharmonic Chamber Strings & won the concerto competition at the Sewanee Summer Music Festival in 1996. She was also a guest performer at the CrystalCathedralinLosAngeles,California. Asasubstitutemusician, she has performed as Principal Oboe for the Florida Philharmonic & Spokane Opera, Section Oboe, English Horn & Bass Oboe for the Spokane Symphony & the North Miami Beach Symphony. Bethany was also a substitute musician for the New World Symphony in Miami, Florida.
As a chamber musician, the groups she has performed with include The Veracruz Woodwind Quintet, Mozart on a Summers Eve, Allegro Baroque and Beyond, & The Royal Fireworks 'Royal Band'. During her time in Florida she studied under Arthur Weisberg, Founder of the New York Woodwind Quintet & former Assistant Principal Bassoon of the Cleveland Orchestra. While living in Mexico, Bethany studied Alexander Technique privately with Professor Claudia Montero & also studied Spanish Language with Professor Joaquin Vargas. Bethany has participated in oboe & English horn masterclasses with Ray Still, Alex Klein, Thomas Stacy & Peter Cooper.
Bethany is currently working as the Personnel Manager for the Spokane Symphony and is the proprietor a small business, Northwest Oboe Cane.
Dr. Randel R. Wagner, Assistant Professor of Music,is the Director of Choral and Vocal Activities at Eastern Washington University. He earned his Doctorate of Music in voice performance and pedagogy from the University of Nebraska-Lincoln and his Master's degree from San Diego State University in choral conducting and voice performance. After completing a Bachelor of Music Education degree at Walla Walla College, Dr. Wagner taught choral and vocal music at the high school level in San Diego.
After study at San Diego State University, he taught at the college level in Texas and Nebraska. Before accepting the position at EWU, he was on the voice faculty at Towson University in Baltimore, Maryland and was the Director of Choral Activities at Hammond High School in Columbia, Maryland. Dr. Wagner has a busy performing and conducting schedule. As a professional baritone he performed with the Seattle, Tacoma, Spokane and Coeur d'Alene Opera Companies.He was a freeland singer in San Francisco that included work with the San Francisco Opera. As a conductor, his work ranges from appearances at the Oregon Bach Festival and the N.W. Bach Festival to Musical Theater and the Spokane Civic Theater.
He has presented recitals and master classes across the United States, in Europe and Asia. His awards include Regional Finalist, Metropolitan Opera Auditions; National Finalist, NATS Singer of the Year Competition; and the Nicolai Gedda Award, Music Academy of the West. He has worked with conductors Helmut Rilling, Robert Shaw, Roger Wagner, Paul Salamunovich, Joseph Flummerfelt, Howard Swan, Elmer Iseler, Sir David Willcocks, John Rutter, Jon Robertson, Bruce Ferden, Frank Almond, Gerard Schwarz, and Eduardo Müller. His voice teachers and coaches include Martial Singher, Gwendolyn Koldofsky, George Trovillo, Cornelius Reid, Marianna Busching, Armen Guzelimian, Maurice Allison, Julian Patrick, Ellen Mack, George Fiore, Elly Ameling and Ellen Faull.
As a clinician, Dr. Wagner has conducted the Nebraska Honor Choir, the Archdiocese of Seattle Choral festival at Beniroyal hall, Festival of the Arts (Spokane), North Idaho Honor Choir Festival and the Montana Honor Treble Choir. As an adjudicator he has judged the Northwest Regional Metropolitan Opera Auditions, Oregon Choir Championships, state large ensemble choral festivals, and state solo and ensemble festivals in Washington, Idaho, and Oregon.
Dr. Michael Waldrop is Professor of Percussion at the Eastern Washington University. He teaches jazz drumset, classical percussion, percussion ensembles and percussion methods at EWU. He has a Bachelor ́s degree in percussion performance from the University of North Texas, a Masters in Jazz Studies from the University of Memphis, and a Doctorate in Performance from the University of North Texas. He has been a professional musician for the past 25 years.
Dr. Waldrop's career has been extensive and varied, ranging from rock and jazz styles to performances with major symphonies in the United States and abroad. He was a member of the Grammy nominated One O ́Clock Lab Band and recorded two CD ́s with the group, and has been on several tours, including a European tour of the Broadway production of 42nd Street and a tour of Turkey with Prix di Rome prize-winning composer Kamran Ince and his ensemble. In addition, he has performed with Maureen McGovern, Della Reese, Randy Brecker, Marvin Stamm, the Nelson Riddle Orchestra, Eliane Elias and Slide Hampton. Dr. Waldrop was also a member of Blue Note recording artist Bob Belden ́s quartet. He has played and recorded with many of the greatest percussionists in the world including Gordon Stout, Nebojsa Zivkovic and Airto. He has played on many recording projects ranging from the Warner Bros. Movie "Christmas Vacation", national Pillsbury jingles and two CD's of original jazz.
Dr. Waldrop was the Director of Jazz Studies and Percussion at Mesa State College in Colorado from 1999-2004. While in Colorado,he was Principal Percussionist with the Grand Junction Symphony as well as Director of the Western Colorado Jazz Orchestra. For the past two years he was the professor of percussion at the University of Toledo. While there he performed in the Faculty Jazz group with legendary jazz vocalist Jon Hendricks. He is a current member of Jack Cooper's Jazz Orchestra of the Delta based in Memphis and is a new member of the Spokane based Bob Curnow Big Band.
Dr. Waldrop's former teachers include Robert Schietroma, Ron Fink, Henry Okstel, Greg Bissonnette, Ed Soph, Gordon Stout, Frank Shaffer, Keith Copeland, and master classes with Leigh Stevens. He is an endorser and clinician for Yamaha percussion instruments and Vic Firth sticks and mallets.
He is available for clinics and performances in both jazz and classical percussion idioms.
BM, MST, Portland State University
Professional jazz pianist, composer and arranger. Student of Andrew Hill, Randy Porter and Darrell Grant.
Hailed by one Austrian critic"the discovery of the eve- ning . . ." Susan Windham combines dramatic intensity with beautiful, communicative singing. A graduate of Eastern Washington University, Ms. Windham is a proud to return to her alma mater as an adjunct pro- fessor of voice.
Active in regional and local opera, Ms. Windham has performed lead roles in productions of Tosca, Merry Widow, Susannah, Amahl and the Night Visitors, Dia- logues of the Carmelites; and supporting roles in Han- sel and Gretel, La Traviate, Carmen, and Magic Flute. Her orchestral works include Verdi's Requiem, Mozart's Requiem, Bach's Christmas Oratorio, Mahler's Second Symphony and Beethoven's Ninth Symphony. She has performed locally with Zephyr, Connoisseur Concerts, the Westminster Chamber Orchestra, and the Spokane Symphony Orchestra.
Ms. Windham has attended the University of Northern Iowa where she worked towards a master's degree in voice. Her teachers have included Dr. Ralph Manzo, Dr. Marietta Coyle, Carol Weber, Caryl Becker, and Elizabeth Colson. She has attended various vocal institutes and has recently studied with Dr. Doreen Rao, receiving her first year CME Certificate.
Ms. Windham also teaches voice at the Holy Names Music Center. She has been employed by the Spokane Area Children's Chorus as conductor and accompanist and was a founding member of OOPS (Oatmeal Opera Players of Spokane), an opera education program that has delighted thousands of school children as well as adult audiences.
Patrick Winters is the Director of Bands and Professor of Music at Eastern Washington University where he conducts the EWU Wind Ensemble, teaches conducting, and courses in music education. Mr. Winters combines his broad experience as a university conductor and teacher with his experience as a successful high school director. His high school ensembles in Virginia and California achieved an impressive record of competitive and festival performances, as well as tours through the eastern and western United States, Canada, Mexico and Japan.
Mr. Winters has established a band program at Eastern Washington University that is one of the finest and most active in the Northwest. Concert, marching and jazz groups regularly perform throughout the N orthwest United States and Western Canada. His EWU Wind Ensemble's compact discs CELEBRATIONS and DANCES , SONGS & CELEBRATIONS have received wide acclaim. The group can also be heard on SOUNDSCAPES, PRISMS and MILLENIUM CD, the EWU Music Department's three compact discs. In 1994, Mr. Winters received the PTI Ortlstandirrg Faculty Award for excellence in teaching. In 1998, he was awarded the Washington Mrt-Sic Educato-r's Associat -ion Outstandirrg Music Educntor Award. In 2000, he was inducted into the W.M.E.A. Hall of Fame. Mr. Winters' article Building Ensemble M rt-Sicianship For Yor1r Concert Band appears in "Spotlight On Teaching Band," published by M.E.N .C.
Mr. Winters holds a Bachelor of Music Education degree from Elon University and a Master of Music Education degree from California State University . Mr. Winters is in demand throughout the country as a guest conductor, clinician and adjudicator, having appeared in 16 states and 5 foreign countries. Patrick lives in Spokane, Washington with his wife Joyce and their three children Brittany, Danica, and Zach.
Dr. Sheila Woodward is Chair Elect of Music, Associate Professor, and Director of Music Education at Eastern Washington University, USA. She is a native of South Africa and earned her Ph. D. from the University of Cape Town and a Performer's Licentiate in Organ from the Associated Board of the Royal Schools of Music. She previously taught at the University of Southern California, The University of South Florida, and the University of the Western Cape. Dr. Woodward is President Elect of the International Society for Music Education and Chair of the NAfME (USA) Council on IN-ovations.
Dr. Woodward has previously served on numerous professional boards; among them being two terms on the Board of Directors of ISME (2004 - 2008), three terms on the ISME Early Childhood Music Education Commission (1992 - 1998, two as Chair), and two terms on the Executive Board of the Society for General Music (NAfME, USA).
Dr. Woodward's research focus is Music and Wellbeing. She explores this from before birth to adulthood, with studies on the fetus, neonate, premature infant, young child, at-risk youth, juvenile offender and adult musician. She has published numerous articles, in addition to chapters in Elliott's Praxial music education: Reflections and dialogues (Oxford, 2005) and in Malloch and Trevarthen's Communicative musicality: Narratives of expressive gesture and being human (Oxford, 2009).
She has been awarded generous grants to promote international exchange programs, bringing South African musicians to perform in the USA alongside American students and professors, and she has directed numerous outreach programs in both countries.
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